No bum harmonies here
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It was not just about the 'oohs', the 'aahs' and the 'la-la-las'. |
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No bum harmonies here |
The b/vs demand your attention, but never ever at the expense of the song. In many instances they sit so well with the track they become another instrument or part of the orchestration. To hear what I mean, take a listen to "Long Haired Lady" (w. Paul & Linda McCartney), "Uncle Albert/Admiral Halsey" (w. Paul & Linda McCartney) and "The Back Seat Of My Car" (w. Paul McCartney).
The background vocals have their own little thing going on. They pull you in so you concentrate that little bit harder either to figure out what the pair of them are singing or simply to enjoy the sound they are making. "Dear Boy" (w. Paul & Linda McCartney) rattles along at a fair lick with very sophisticated parts that must have taken many hours to perfect. The quirky vocal arrangement on “Monkberry Moon Delight" (w. Paul & Linda McCartney) was surely a total hoot to record. For 47 years I was positive the couple sang "come and have a dinner, come and have a dinner" on "Smile Away" (w. Paul McCartney); in fact they are singing "don't know how to do that, learning how to do that".
McCartney personally supervised the release of a deluxe edition box set as part of his archive collection. I count myself amongst fans of the LP who would relish an opportunity to listen to a bonus CD of isolated vocals and b/vs showcasing Paul and Linda's achievements. I can't help thinking Sir Paul and his team missed a trick. It's not too late you know.
If you are a devotee you are in good company. I understand Sir Elton John and Trevor Horn both expressed their admiration for what the McCartneys created on this record. What do I think? I think "Ram" is the 'cat's pyjamas', the 'bee's knees' and the veritable 'dog's bollocks'!


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